Pop Culture
City Paper's guide to Filmfest DC's assortment of metalheads, geeks, lovers, do-gooders, and more.
Cover Story
Ballsy programming should be the essence of any film festival, but in its 22nd year, Filmfest DC seems to be playing it safe. For instance, don’t take its alleged focus on “Politics and Film” too seriously. Surely the festival’s decision-makers thought it appropriate to highlight political fare, given the zeitgeist—with an impending election and long-festering occupation on everyone’s mind, it could seem downright irresponsible not to include works speaking to urgent global issues. Then again, box-office returns over the past year have suggested that moviegoers have grown battle-weary, preferring the escapist to the educational in their trips to the multiplex.
The Filmfest solution? Gathering a mere six politically minded films—out of the festival’s 70-plus offerings—and touting it as a highlighted series. Worse, the selections seem to be most noteworthy for their good intentions. Out of the four our critics were able to view, only one—The Bread Winner, a 23-minute documentary about a 9-year-old Afghan boy who supports his family—is fully recommended, while the others are dragged down by polemic (The War on Democracy), poor storytelling (Mon Colonel), or simple dullness (Beyond the Call).... Continued
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