Hocus Focus
Lost the magic? Filmfest DC waves the wand.
Cover Story
Do you believe in magic realism? Filmfest DC does, as it demonstrates this year by presenting movies in which God and a fisherman wander Brazil seeking a fill-in deity, the lives and identities of a Korean monk and his novice change with the seasons, and a 10-year-old girl learns to alter reality while hiding from her parents on a farm in the Polish countryside.
This isn’t exactly a brave new world for Filmfest, which has imported a steady supply of movies from Latin America throughout its 18-year existence. And this year’s featured country is Argentina, whose cinematic output has hardly been ignored in previous fests. The other motifs are also perennials: “Politics in Film” (last year’s official theme) and “Global Rhythms,” as well as the customary programs for kids and seniors.
Traditionally, the Washington City Paper has been skeptical of Filmfest’s worldview, which yields some movies that are of more anthropological than aesthetic interest. Yet our reviewers always find plenty of films to recommend. In fact, each of the three films described above—God Is Brazilian, Spring, Summer, Fall, Winter...and Spring, and Squint Your Eyes—was endorsed by one of our reviewers.
As always, Filmfest includes entries from such filmmaking powers as France, Britain, Germany, Iran, Japan, and China, as well a few from Canada and the United States. The selection also features several movies from the Arab world—to which the programmers dedicate another, smaller fest every fall—but this year none made in India or Hong Kong, both countries whose cinemas have provided many of Filmfest’s finest hours-and-a-half.... Continued
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