citypaper: archives

Scene Stealers
Even in D.C.'s rowdy punk underground, Bad Brains broke all the rules.

Cover Story

Washington's '70s punk scene was hardly as large or significant as New York's or London's, but all three have one thing in common: Exactly when they began is a matter of interpretation. Dance of Days: Two Decades of Punk in the Nation's Capital, the new book by Mark Andersen and Washington City Paper arts critic Mark Jenkins, opens in 1976, the year that such bands as the Slickee Boys, the Look, and the Controls debuted. Members of the latter two groups soon allied to found the Urban Verbs, the first area punk (aka New Wave) outfit to sign a major-label contract. The earliest D.C. punk band to make a national impact, however, came out of an entirely different world from the Verbs' college-and-arts-space circuit. These edited excerpts from Dance of Days recount the beginnings of Bad Brains, the quartet that brought D.C. punk up to speed, thus shaping the style that was to become known as hardcore.

"Whatever the mind can conceive and believe, it can achieve--with PMA." --Napoleon Hill, Success Through a Positive Mental Attitude

By mid-1976, Washington had the makings of a punk-rock scene focused on the Keg, a now-demolished Glover Park bar; the campuses of Georgetown and American Universities; and the former's radio station, WGTB-FM. It wasn't until 1978, however, that punk crossed the Anacostia River into the city's easternmost precincts. It was carried there by two black teenagers, Sid McCray and Darryl Jenifer.... Continued

Issue of Mar. 23 - 29, 2001

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  • Poetic Injustice
    Two D.C. performance poets thought they'd found the perfect venue for readings inside Silver Spring's City Place Mall. But the prosaic demands of the marketplace got them kicked out.
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