These Go to 11
Washington City Paper's guide to the 11th Annual Washington, D.C., International Film Festival
Cover Story
Fifty-nine feature films in 12 days. It's a daunting prospectand we've already seen 26
of them.
The 11th Annual Washington International Film Festival is the usual cavalcade of hits, misses, and unknown quantities, and as usual Washington City Paper has done what it can to assist committed festgoers (and casual ones, too). Holly Bass, Arion Berger, James Lochart, Joel E. Siegel, Virginia Vitzthum, and I evaluated all but one of the possible films. (We didn't review Open City, since it's so often screened.) There's good news and bad, as well as the customary quota of in-between.
The country of emphasis this year is Italy, but of the seven Italian films, we can recommend only one: The Venus of Willendorf. Another Italian effort, Italiani, has already been screened as the opening-night offering. And then there's Beyond the Clouds, the first film in more than a decade from Michelangelo Antonioni (with the aid of Wim Wenders). This film, which wasn't previewed, has gotten mixed reviews elsewhere, but its screening is an event nonetheless.
The principal other series (aside from Filmfest for Kids) is "Global Rhythms," the annual roundup of music videos. Here the average is better: Our critics commend studies of '50s world music (Umm Kulthum, a Voice Like Egypt), '60s folk (Festival), '70s rock (Listening to You: The Who at the Isle of Wight Festival), and '90s ballet (Swan Lake). Curiously, there are fewer nonmusic documentaries this year than usual.... Continued
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