citypaper: archives

Laugh Trick
Bob Somerby airs his family secrets, bashes Christmas, and debunks breakfast cereals—all in the name of a better America.

Cover Story

For a brief time in the entertainment universe, comedy ruled.

Out for an evening during the '80s, you could hardly take three steps without tripping over a microphone-wielding joke artist. Comedy clubs sprang up across the land, and stand-up became the route to stardom in prime time (Roseanne Barr, Ellen DeGeneres), in the movies (Tom Hanks, Robin Williams), and on the late-night circuit (Jay Leno, David Letterman, Arsenio Hall, Joan Rivers). The parade was endless: single-star comedy specials, variety comedy showcases, comedy advertising, comedians turning into serious actors (Michael Keaton) or romantic leads (Bill Murray). Tim Allen stretched the curve the furthest, from a stint in jail for dealing drugs to a TV series (Home Improvement) to a hit movie (The Santa Clause.)

The phenomenon hardly occurred overnight. Comedians had been the mainstays of minstrel shows and vaudeville, and essential salty accompaniment to burlesque's sugar babies, reciting routines that became standards of radio, film, and early television. The modern era brought everything from shock comedians (Sam Kinison, Andrew Dice Clay), to rock comedians (who can forget Spinal Tap, even if one of their drummers did drown in someone else's vomit?).

In the go-go Reagan era, comedy became a commodity. And when the inevitable glut developed, the comedy market did what all markets do: It underwent a correction. Stand-up went stale, the club ranks shriveled, and the customers—especially home- bound boomers with small children—found they could sate their har-de-har hunger via the tube.... Continued

Issue of Feb. 17 - 23, 1995

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